Both Sides Now
When Joni sings “Both Sides Now’ at 78 people might try to help her remember the lyrics but Joni doesn’t need help. If you sing a song 10,000 times, even if you lose your mind (which Joni hasn’t), you remember the song. The words just come. Muscle memory. Her voice an octave lower. Her tone, vintage. It might seem like she’s going to forget. But the woman is simply taking her time.
25 Years Later
For me “Bitch” was a term of endearment for all the complicated and lovable hypocrisies women present. At the time of conception Meredith and I were both going through some kind of metamorphosis unbeknownst to each other and when we got in the same room all those feelings exploded. That’s my favorite kind of Songsex: Confessional. Organic. Un-calculated.
Catching Up With Curtis
I met a 25-year-old Curtis Stigers in 1991 when Clive Davis selected a song I wrote with Gregg Sutton for Curtis’ debut record. Then all 3 of us wrote “You’re All That Matters To Me” which Curtis JUST re-recorded for a new album dropping this week. How on earth does someone stay in the game for so long? Creativity lives loudest in those who never stop envisioning what’s next. 💯💪🔥
#Anti-Social Media
My heart isn’t in the game. An appetite for promoting my own endeavors is waning. When I scroll my feed I hear what sounds like noise. My own noise included. So now...first thing every morning before checking my email, or any texts I might have missed from the night before I grab a coffee and sit in my yard and just be. In fact before I take a sip I hold the mug to my nose and breath it in so as to “pre-extend” the experience. Life isn’t just about our purpose or our calling, but the more subtle beauty going on around us.
It Takes A Village To Make A Record
Everyone has a village. Take a deep breath and think about who yours is. Hopefully you have a bit of savings to pay for what you can’t do yourself. Or you can offer a service you’re expert at in exchange for something about which you’re clueless. But reach out. Ask for help. You may be pleasantly surprised at who steps up.
Truth Hurts
"Truth Hurts" came under fire recently when a British singer claimed that Lizzo lifted the first attention grabbing line from one of her tweets. But times have changed. It’s a bold new viral world out there. So is a tweet copyrightable?
Queen For A Day
There’s nothing not to like about Billie Eilish’s album. It’s tasty. Sonically pleasing. Interesting. But while recognition is deserved for breaking records, high sales, sold our shows and crying blood I can’t help but wonder if an artist’s accomplishments are more outstanding — judged more favorably just because the artist is…young.
Songs From The Other Side
As creators , when we put forth original material we are present (if not hands-on) from beginning to end — from conception to mixing. Our songs are our babies and we want to make sure the world hears them the way we envisioned them — according to our sensibilities. So, If something happened to you in the middle of making your album, would you be comfortable with someone else fully realizing your work-in-progress on your behalf — thankful that it would be heard? Or would you prefer that it rest and never see the light of day?
Rethinking Taylor Swift
I sincerely hope she didn’t share that post because it’s “good for business” but because she’s growing up and feels the need to stand up for what she cares about — whatever it is she cares about — because it matters. It matters as much as the music.
Why Can't I Get This Song Cut?
We’ve all written one. At least we think we have. You know…that song that’s just so good, you can’t figure out for the life of you why nobody has recorded it.
Bebe Rexha is a Classy Mess
Inquiring minds have been inquiring and the answer is yes. Meredith Brooks and I received co-writing credit on Bebe Rexha’s “I’m A Mess.” The writers, Justin Tranter, Jussifer & Bebe herself, felt the hook on Mess had enough of a likeness to “Bitch” to offer up a piece. Most writers would have gone into denial and skipped merrily along onto their next co-write.
Up Close & Personal
No matter how gloriously any recording artist delivers a song, there’s simply nothing like hearing the songwriter who wrote it sing it. Perhaps it's not as glamorous or controlled but there is a primal element in the the voice of the writer from whom the song emerged and that's something that nobody else can own.
Will You Cross That Bridge When You Come To It?
If there is no bridge, there has to be another element that replaces the psychological function a bridge would have served, in order for the emotional arc of a song to do it’s job. Juss sayin'.
Bon Appétit
How far do we need to go to feel like we've boldly gone where no one has gone before?
Baby You Can Drive My Car
Those of you with toddlers who can't live without The Wiggles...take heart. Soon enough you'll be sharing playlists. She may even be driving the car.
Wilson (No) Phillips....(from "Confessions of a Serial Songwriter")
From every songwriting session that you enter, hopefully you give something away and take something with you when you leave.
What If Your Favorite Song Didn't Exist?
Those who go into the business with fortune or fame as their goal will never write a song as good as those who do it for Love.
